The french masters, p.408
The French Masters, page 408
“That’s true,” said Bossuet.
“Just see the eyes he is making!” said Courfeyrac.
“But who the deuce is he following?”
“Some fine, flowery bonneted wench! He’s in love.”
“But,” observed Bossuet, “I don’t see any wench nor any flowery bonnet in the street. There’s not a woman round.”
Courfeyrac took a survey, and exclaimed: —
“He’s following a man!”
A man, in fact, wearing a gray cap, and whose gray beard could be distinguished, although they only saw his back, was walking along about twenty paces in advance of Marius.
This man was dressed in a great-coat which was perfectly new and too large for him, and in a frightful pair of trousers all hanging in rags and black with mud.
Bossuet burst out laughing.
“Who is that man?”
“He?” retorted Courfeyrac, “he’s a poet. Poets are very fond of wearing the trousers of dealers in rabbit skins and the overcoats of peers of France.”
“Let’s see where Marius will go,” said Bossuet; “let’s see where the man is going, let’s follow them, hey?”
“Bossuet!” exclaimed Courfeyrac, “eagle of Meaux! You are a prodigious brute. Follow a man who is following another man, indeed!”
They retraced their steps.
Marius had, in fact, seen Jondrette passing along the Rue Mouffetard, and was spying on his proceedings.
Jondrette walked straight ahead, without a suspicion that he was already held by a glance.
He quitted the Rue Mouffetard, and Marius saw him enter one of the most terrible hovels in the Rue Gracieuse; he remained there about a quarter of an hour, then returned to the Rue Mouffetard. He halted at an ironmonger’s shop, which then stood at the corner of the Rue Pierre-Lombard, and a few minutes later Marius saw him emerge from the shop, holding in his hand a huge cold chisel with a white wood handle, which he concealed beneath his great-coat. At the top of the Rue Petit-Gentilly he turned to the left and proceeded rapidly to the Rue du Petit-Banquier. The day was declining; the snow, which had ceased for a moment, had just begun again. Marius posted himself on the watch at the very corner of the Rue du Petit-Banquier, which was deserted, as usual, and did not follow Jondrette into it. It was lucky that he did so, for, on arriving in the vicinity of the wall where Marius had heard the long-haired man and the bearded man conversing, Jondrette turned round, made sure that no one was following him, did not see him, then sprang across the wall and disappeared.
The waste land bordered by this wall communicated with the back yard of an ex-livery stable-keeper of bad repute, who had failed and who still kept a few old single-seated berlins under his sheds.
Marius thought that it would be wise to profit by Jondrette’s absence to return home; moreover, it was growing late; every evening, Ma’am Bougon when she set out for her dish-washing in town, had a habit of locking the door, which was always closed at dusk. Marius had given his key to the inspector of police; it was important, therefore, that he should make haste.
Evening had arrived, night had almost closed in; on the horizon and in the immensity of space, there remained but one spot illuminated by the sun, and that was the moon.
It was rising in a ruddy glow behind the low dome of Salpetriere.
Marius returned to No. 50-52 with great strides. The door was still open when he arrived. He mounted the stairs on tip-toe and glided along the wall of the corridor to his chamber. This corridor, as the reader will remember, was bordered on both sides by attics, all of which were, for the moment, empty and to let. Ma’am Bougon was in the habit of leaving all the doors open. As he passed one of these attics, Marius thought he perceived in the uninhabited cell the motionless heads of four men, vaguely lighted up by a remnant of daylight, falling through a dormer window.
Marius made no attempt to see, not wishing to be seen himself. He succeeded in reaching his chamber without being seen and without making any noise. It was high time. A moment later he heard Ma’am Bougon take her departure, locking the door of the house behind her.
CHAPTER XVI — IN WHICH WILL BE FOUND THE WORDS TO AN ENGLISH AIR WHICH WAS IN FASHION IN 1832
Marius seated himself on his bed. It might have been half-past five o’clock. Only half an hour separated him from what was about to happen. He heard the beating of his arteries as one hears the ticking of a watch in the dark. He thought of the double march which was going on at that moment in the dark, — crime advancing on one side, justice coming up on the other. He was not afraid, but he could not think without a shudder of what was about to take place. As is the case with all those who are suddenly assailed by an unforeseen adventure, the entire day produced upon him the effect of a dream, and in order to persuade himself that he was not the prey of a nightmare, he had to feel the cold barrels of the steel pistols in his trousers pockets.
It was no longer snowing; the moon disengaged itself more and more clearly from the mist, and its light, mingled with the white reflection of the snow which had fallen, communicated to the chamber a sort of twilight aspect.
There was a light in the Jondrette den. Marius saw the hole in the wall shining with a reddish glow which seemed bloody to him.
It was true that the light could not be produced by a candle. However, there was not a sound in the Jondrette quarters, not a soul was moving there, not a soul speaking, not a breath; the silence was glacial and profound, and had it not been for that light, he might have thought himself next door to a sepulchre.
Marius softly removed his boots and pushed them under his bed.
Several minutes elapsed. Marius heard the lower door turn on its hinges; a heavy step mounted the staircase, and hastened along the corridor; the latch of the hovel was noisily lifted; it was Jondrette returning.
Instantly, several voices arose. The whole family was in the garret. Only, it had been silent in the master’s absence, like wolf whelps in the absence of the wolf.
“It’s I,” said he.
“Good evening, daddy,” yelped the girls.
“Well?” said the mother.
“All’s going first-rate,” responded Jondrette, “but my feet are beastly cold. Good! You have dressed up. You have done well! You must inspire confidence.”
“All ready to go out.”
“Don’t forget what I told you. You will do everything sure?”
“Rest easy.”
“Because—” said Jondrette. And he left the phrase unfinished.
Marius heard him lay something heavy on the table, probably the chisel which he had purchased.
“By the way,” said Jondrette, “have you been eating here?”
“Yes,” said the mother. “I got three large potatoes and some salt. I took advantage of the fire to cook them.”
“Good,” returned Jondrette. “To-morrow I will take you out to dine with me. We will have a duck and fixings. You shall dine like Charles the Tenth; all is going well!”
Then he added: —
“The mouse-trap is open. The cats are there.”
He lowered his voice still further, and said: —
“Put this in the fire.”
Marius heard a sound of charcoal being knocked with the tongs or some iron utensil, and Jondrette continued: —
“Have you greased the hinges of the door so that they will not squeak?”
“Yes,” replied the mother.
“What time is it?”
“Nearly six. The half-hour struck from Saint-Medard a while ago.”
“The devil!” ejaculated Jondrette; “the children must go and watch. Come you, do you listen here.”
A whispering ensued.
Jondrette’s voice became audible again: —
“Has old Bougon left?”
“Yes,” said the mother.
“Are you sure that there is no one in our neighbor’s room?”
“He has not been in all day, and you know very well that this is his dinner hour.”
“You are sure?”
“Sure.”
“All the same,” said Jondrette, “there’s no harm in going to see whether he is there. Here, my girl, take the candle and go there.”
Marius fell on his hands and knees and crawled silently under his bed.
Hardly had he concealed himself, when he perceived a light through the crack of his door.
“P’pa,” cried a voice, “he is not in here.”
He recognized the voice of the eldest daughter.
“Did you go in?” demanded her father.
“No,” replied the girl, “but as his key is in the door, he must be out.”
The father exclaimed: —
“Go in, nevertheless.”
The door opened, and Marius saw the tall Jondrette come in with a candle in her hand. She was as she had been in the morning, only still more repulsive in this light.
She walked straight up to the bed. Marius endured an indescribable moment of anxiety; but near the bed there was a mirror nailed to the wall, and it was thither that she was directing her steps. She raised herself on tiptoe and looked at herself in it. In the neighboring room, the sound of iron articles being moved was audible.
She smoothed her hair with the palm of her hand, and smiled into the mirror, humming with her cracked and sepulchral voice: —
Nos amours ont duré toute une semaine,
Mais que du bonheur les instants sont courts!
S’adorer huit jours, c’était bien la peine!
Le temps des amours devrait durer toujours!
Devrait durer toujours! devrait durer toujours!
In the meantime, Marius trembled. It seemed impossible to him that she should not hear his breathing.
She stepped to the window and looked out with the half-foolish way she had.
“How ugly Paris is when it has put on a white chemise!” said she.
She returned to the mirror and began again to put on airs before it, scrutinizing herself full-face and three-quarters face in turn.
“Well!” cried her father, “what are you about there?”
“I am looking under the bed and the furniture,” she replied, continuing to arrange her hair; “there’s no one here.”
“Booby!” yelled her father. “Come here this minute! And don’t waste any time about it!”
“Coming! Coming!” said she. “One has no time for anything in this hovel!”
She hummed: —
Vous me quittez pour aller à la gloire;
Mon triste cœur suivra partout.
She cast a parting glance in the mirror and went out, shutting the door behind her.
A moment more, and Marius heard the sound of the two young girls’ bare feet in the corridor, and Jondrette’s voice shouting to them: —
“Pay strict heed! One on the side of the barrier, the other at the corner of the Rue du Petit-Banquier. Don’t lose sight for a moment of the door of this house, and the moment you see anything, rush here on the instant! as hard as you can go! You have a key to get in.”
The eldest girl grumbled: —
“The idea of standing watch in the snow barefoot!”
“To-morrow you shall have some dainty little green silk boots!” said the father.
They ran down stairs, and a few seconds later the shock of the outer door as it banged to announced that they were outside.
There now remained in the house only Marius, the Jondrettes and probably, also, the mysterious persons of whom Marius had caught a glimpse in the twilight, behind the door of the unused attic.
CHAPTER XVII — THE USE MADE OF MARIUS’ FIVE-FRANC PIECE
Marius decided that the moment had now arrived when he must resume his post at his observatory. In a twinkling, and with the agility of his age, he had reached the hole in the partition.
He looked.
The interior of the Jondrette apartment presented a curious aspect, and Marius found an explanation of the singular light which he had noticed. A candle was burning in a candlestick covered with verdigris, but that was not what really lighted the chamber. The hovel was completely illuminated, as it were, by the reflection from a rather large sheet-iron brazier standing in the fireplace, and filled with burning charcoal, the brazier prepared by the Jondrette woman that morning. The charcoal was glowing hot and the brazier was red; a blue flame flickered over it, and helped him to make out the form of the chisel purchased by Jondrette in the Rue Pierre-Lombard, where it had been thrust into the brazier to heat. In one corner, near the door, and as though prepared for some definite use, two heaps were visible, which appeared to be, the one a heap of old iron, the other a heap of ropes. All this would have caused the mind of a person who knew nothing of what was in preparation, to waver between a very sinister and a very simple idea. The lair thus lighted up more resembled a forge than a mouth of hell, but Jondrette, in this light, had rather the air of a demon than of a smith.
The heat of the brazier was so great, that the candle on the table was melting on the side next the chafing-dish, and was drooping over. An old dark-lantern of copper, worthy of Diogenes turned Cartouche, stood on the chimney-piece.
The brazier, placed in the fireplace itself, beside the nearly extinct brands, sent its vapors up the chimney, and gave out no odor.
The moon, entering through the four panes of the window, cast its whiteness into the crimson and flaming garret; and to the poetic spirit of Marius, who was dreamy even in the moment of action, it was like a thought of heaven mingled with the misshapen reveries of earth.
A breath of air which made its way in through the open pane, helped to dissipate the smell of the charcoal and to conceal the presence of the brazier.
The Jondrette lair was, if the reader recalls what we have said of the Gorbeau building, admirably chosen to serve as the theatre of a violent and sombre deed, and as the envelope for a crime. It was the most retired chamber in the most isolated house on the most deserted boulevard in Paris. If the system of ambush and traps had not already existed, they would have been invented there.
The whole thickness of a house and a multitude of uninhabited rooms separated this den from the boulevard, and the only window that existed opened on waste lands enclosed with walls and palisades.
Jondrette had lighted his pipe, seated himself on the seatless chair, and was engaged in smoking. His wife was talking to him in a low tone.
If Marius had been Courfeyrac, that is to say, one of those men who laugh on every occasion in life, he would have burst with laughter when his gaze fell on the Jondrette woman. She had on a black bonnet with plumes not unlike the hats of the heralds-at-arms at the coronation of Charles X., an immense tartan shawl over her knitted petticoat, and the man’s shoes which her daughter had scorned in the morning. It was this toilette which had extracted from Jondrette the exclamation: “Good! You have dressed up. You have done well. You must inspire confidence!”
As for Jondrette, he had not taken off the new surtout, which was too large for him, and which M. Leblanc had given him, and his costume continued to present that contrast of coat and trousers which constituted the ideal of a poet in Courfeyrac’s eyes.
All at once, Jondrette lifted up his voice: —
“By the way! Now that I think of it. In this weather, he will come in a carriage. Light the lantern, take it and go down stairs. You will stand behind the lower door. The very moment that you hear the carriage stop, you will open the door, instantly, he will come up, you will light the staircase and the corridor, and when he enters here, you will go down stairs again as speedily as possible, you will pay the coachman, and dismiss the fiacre.”
“And the money?” inquired the woman.
Jondrette fumbled in his trousers pocket and handed her five francs.
“What’s this?” she exclaimed.
Jondrette replied with dignity: —
“That is the monarch which our neighbor gave us this morning.”
And he added: —
“Do you know what? Two chairs will be needed here.”
“What for?”
“To sit on.”
Marius felt a cold chill pass through his limbs at hearing this mild answer from Jondrette.
“Pardieu! I’ll go and get one of our neighbor’s.”
And with a rapid movement, she opened the door of the den, and went out into the corridor.
Marius absolutely had not the time to descend from the commode, reach his bed, and conceal himself beneath it.
“Take the candle,” cried Jondrette.
“No,” said she, “it would embarrass me, I have the two chairs to carry. There is moonlight.”
Marius heard Mother Jondrette’s heavy hand fumbling at his lock in the dark. The door opened. He remained nailed to the spot with the shock and with horror.
The Jondrette entered.
The dormer window permitted the entrance of a ray of moonlight between two blocks of shadow. One of these blocks of shadow entirely covered the wall against which Marius was leaning, so that he disappeared within it.
Mother Jondrette raised her eyes, did not see Marius, took the two chairs, the only ones which Marius possessed, and went away, letting the door fall heavily to behind her.
She re-entered the lair.
“Here are the two chairs.”
“And here is the lantern. Go down as quick as you can.”
She hastily obeyed, and Jondrette was left alone.
He placed the two chairs on opposite sides of the table, turned the chisel in the brazier, set in front of the fireplace an old screen which masked the chafing-dish, then went to the corner where lay the pile of rope, and bent down as though to examine something. Marius then recognized the fact, that what he had taken for a shapeless mass was a very well-made rope-ladder, with wooden rungs and two hooks with which to attach it.
This ladder, and some large tools, veritable masses of iron, which were mingled with the old iron piled up behind the door, had not been in the Jondrette hovel in the morning, and had evidently been brought thither in the afternoon, during Marius’ absence.
“Those are the utensils of an edge-tool maker,” thought Marius.
Had Marius been a little more learned in this line, he would have recognized in what he took for the engines of an edge-tool maker, certain instruments which will force a lock or pick a lock, and others which will cut or slice, the two families of tools which burglars call cadets and fauchants.
